Wednesday, February 3, 2010

Ghajini Hindi Movie Review: Ghajini Brings the ‘action’ Back Into Your Life



Is Ghajini, like every Aamir Khan movie, a flick with a difference? Not at all, it has the clichéd 'good triumphs over the evil' subject, which you haw be watching for the 117th time. If you countenance at the principle of Ghajini, it is your usual revenge drama that the sort of Ajay Devgans and Mithuns would dabble in the early 90s. But what livens up the film; makes you defence up and notice is its treatment. Action has been digit genre which was relegated to the background with comedies and candifloss romances warming up the incase office for nearly a movie. Ghajini brings the 'action' backwards into your life.

Story of Ghajini
Aamir Khan suffers from acute short term memory loss because he is impact on the head by the villain Pradeep Rawat, who also kills Aamir's girlfriend Asin. Aamir Khan has to fight his handicap of ' short term memory loss' while his mind is employed overtime seeking vengeance. He cannot remember anything more than 15 minutes, yet with determination and logic, sets cues that make him disciplined sufficiency to essay vengeance. He has cues written on his body including Polaroids which assistance him in memory and recall. Jiah Khan, a medical research student who has her eyes on Aamir as an object of scientific experimentation, initially perceives Aamir as a threat. After reaching to know more about his background and the tragedy that befell him, she seeks to help him out. How Aamir gets his revenge forms the rest of the movie. But it not as simple as it seems, the plot is rivetingly complex.


Technical aspects of Ghajini
The strong point of Ghajini is its screenplay and its script. There is sufficiency noesis in the movie for you to lap up 3 hour and 15 minutes movement of the movie. Ghajini has been splendidly directed by A.Murgadoss who has taken discompose to ensure that finer points of the movie are taken care of. The hall mark of an interesting screenplay, Ghajini shuffles intelligently between the placid past, the harassed present, backwards into the romantic time before zeroing into the present with vengeance.
Not digit azygos scene seems to be in waste and every sequence seems to kudos the plot of the film. The climax scene is raw and sordid, as Aamir uses brute force to bash up villains to pulp, while chasing Pradeep Rawat in revengeful angst. The chasing scene through the dingy lane has been shot beautifully to the credit of camera man Ravi K. Chandran who has shot scenes with important elan.

A.R.Rahman's music is a soother to the alacritous tempo of the film, especially the Kaise Mujhe song which is placed at Ghajini's most sensitive moment. Murgadoss has prefabricated sure that the songs do not overwhelm the movie and has modify intelligently snipped a significant part of the Latoo number, so that the pace is not hindered.
Best scenes of Ghajini and plus points of Ghajini
1. Asin and Aamir Khan share a pleasant chemistry. Scenes where Kalpana(Asin) flaunts that Sanjay(Aamir Khan) the owner of Air Voice mobile, is her boyfriend, without movie having met movie, is funny . The fact that Asin dies in the movie without ever realizing who her boyfriend really is, is touching.
2. Romance has not been given a step motherly treatment in Ghajini. Murgadoss cooks up sufficiency romantic situations between the lead pair, with the right amount of sensitivity and depth

3. The superb picturization of the 'Behka Behka' number.
4. The raw state scene at the climax.

Minus points of Ghajini:
The Dravidian edition had the villain in a double role, which perplexes the hero. Doing the same would have added more depth in Hindi Ghajini, and give it a touch of 'difference'. Also the fight scenes could have been more imaginative.

Performances of Ghajini
Asin looks refreshing and beautiful. She infuses chronicle in Ghajini, so to feature with her cherubic, chirpy role. In fact, Asin is the most communicatory character in the film, while Aamir is the least. Asin looks curvy, matronly and 'real' compared to the dead size zeroes cutting a sorry figure in Bollywood. Asin is quite comfortable in the role of Kalpana, which she has essayed for the second time. Her concealment presence is remarkable; you miss her foamy presence after she dies in the film.
The villain Pradeep Rawat is menacing and good sufficiency for you to hate him. The lifeline of Ghajini is volcano of volatile talent-Aamir Khan. He fits the character like a glove and he is remarkably efficient in both the aspects of his character-the owner of Air Voice Mobile madly in love with Asin and also as the sufferer character, who cannot remember anything beyond 15 minutes. Vulnerability and Violence are performed with clinical perfection by this acting maestro AK. Aamir Khan's is truly an award winning performance. His body language and eyes venture far beyond what a standard talking would.

Verdict on Ghajini:
The Hindi Ghajini replicates the Dravidian Ghajini movie scene by scene, except for little amendments. Most of the people in the team are the same including Asin, villain Pradeep Rawat and modify the administrator Murgadoss. The major disagreement is the treatment of the climax. To sum up, Ghajini is not path breaking cinema, but it is entertainment laden, adrenalin pumping, visual impact at its best. Watch it in the theater, for total entertainment!